ANDREW SAITO - WRITER
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ABOUT ANDREW SAITO

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Andrew Saito is a globe-trotting writer whose many experiences living far off the beaten path shape his writing for TV, theater, and film. With a family that is Japanese, White, Black, and Latinx, his brand is 'Multiracial Mayhem.' A Fulbright scholar in Papua New Guinea and graduate of the Paramount Writers Mentoring Program, he wrote on Dan Brown’s The Lost Symbol. He’s had numerous plays produced and been supported by the Mellon Foundation, the NEA, and many other funders. A polyglot who speaks four languages, Andrew excels at immersive research and cross-cultural communication and collaboration, Andrew has received grants to travel to all six inhabited continents. A fourth-degree black belt in Kung Fu, he’s passionate about scuba diving, climate activism, and cooking; recipes up his sleeve include chiles rellenos, jambalaya, key lime pie, and the meanest French toast this side of Paris (Texas, that is).

Andrew has developed plays with Berkeley Repertory Theatre, Victory Gardens, Oregon Shakespeare Festival, ArtsEmerson, Crowded Fire, East West Players, Mu Performing Arts, Brava Theater, the Bay Area Playwrights Festival, and others. 

He is a proud member of the Writers Guild of America.

Residencies: Montalvo Arts Center, Djerassi Resident Artists Program, Blue Mountain Center, Arquetopia

MFA: Iowa Playwrights Workshop
BA: UC Berkeley

ARTIST STATEMENT

My writing explores upheaval and transition. My characters contend with war, displacement, and destruction of land. They are often multiracial or bicultural, or otherwise occupying two or more disparate worlds.

I write for actors' bodies, seeding theatrical physicality and imagery in dialogue. I include multiple languages to represent multiple worlds, and invite disparate audiences.  I interweave differing aesthetics, such as surrealism and Afroperuvian dance. I employ humor to facilitate audiences examining difficult realities.  

My practice prioritizes research, collaboration, and revision. I live in libraries for spells, and immerse myself in locations: the Río Grande, Papua New Guinea, Maryland's Eastern Shore. I relish in details of history, individuals, and places.  I thrive in rehearsal, valuing dramaturgical insights from all collaborators. I distill my scripts to find their ideal evolved forms.
 


​CURRICULUM VITAE

ANDREW P. SAITO
LinkedIn: linkedin.com/in/andrew-saito-a715b47/ 
Blog: saitopng.wordpress.com
 
EDUCATION
 
MFA in Theatre Arts / Playwriting • 2011
University of Iowa, Iowa City, IA                              
Thesis title: Landless
Thesis supervisor: Professor Art Borreca
 
BA in Ethnic Studies • 2002
University of California, Berkeley, Berkeley, CA
Thesis title: El Río
Thesis supervisors: Professor Tiya Miles and Professor Cherríe Moraga

TELEVISION EXPERIENCE

Staff Writer, Dan Brown's The Lost Symbol, 2021
Wrote Teleplay for Episode 108 "Cascade"
Writers Guild of America East Asian American Writers Salon, 2022 - Present
Writers Guild of America East 
Climate Storytelling Initative, 2022 - 2023
Writers Guild of America East Staff Writer Bootcamp, 2022
Writers Guild of America 
East Mentorship Program, 2022
Writers Guild of America West Staff Writer Bootcamp, 2021
ViacomCBS Writers Mentoring Program, 2020 - 2021

TV Writing Workshops
Stephanie Kornick, 2022
Nina Fiore, 2022
Tyler Dinucci, 2022
Andrea Ciannavei, 2020
Jason Grote, 2013
Sheila Callaghan, 2011

PROFESSIONAL THEATER PRODUCTIONS
Br’er Peach, dir. Desdemona Chiang, AlterTheatre, Spring 2021
El Río, Edris Cooper, dir., Brava for Women in the Arts, 2019
Men of Rab’inal, Lakin Valdez, dir., La Peña Cultural Center & El Teatro Campesino, 2019
to all persons…, Jen Chang, dir., East West Players, 2017
Stegosaurus (or) Three Cheers for Climate Change, Rem Myers, dir., 2016
Life is a Dream (trans.), Paige Rogers, dir., The Cutting Ball Theater, 2015
Mount Misery, Rob Melrose, dir., The Cutting Ball Theater, 2015
Another Fine Day in the Park, Chase Ramsey, dir., The Cutting Ball Theater, 2015
Krispy Kritters in the Scarlett Night, Rob Melrose, dir., The Cutting Ball Theater, 2013
Evolve!, Myers Clark, dir., Handful Players at Yoshi’s San Francisco, 2009
Nuestra Señora de las Enfermedades, Lakin Valdez, dir., Brava Theatre Center, 2008
Agüita: “Ama qellichahuaychu”, Marilu Flores, dir., Teatro Andino Kusiwasi, 2007
 
UNIVERSITY AND WORKSHOP THEATER PRODUCTIONS
Men of Rab’inal, Lakin Valdez, dir., La Peña/El Teatro Campesino, 2019
“Wormholes for Sale at the Corner Bodega,” at Signature Theater, 2018
five tries, Addie Gorlin, dir., The Cutting Ball Theater, 2014
Landless, Kristin Clippard, dir., University of Iowa, 2011
sunshine, Nathan Halvorson, dir., University of Iowa, 2011
Stegosaurus (or) Our Golden Years, John Kaufmann, dir., University of Iowa, 2010
La Lechera, Sarah Ballema, dir., University of Iowa, 2009
Smooth Hands, False Cures, Dan Chumley, dir., San Francisco Mime Troupe, 2004
 
PLAY DEVELOPMENT WORKSHOPS
Harlem Canary/Tokyo Crow, Cat Ramirez, dir., PlayPenn, 2025
Harlem Canary/Tokyo Crow, Steven Sapp, dir., Berkeley Rep, 2024
Harlem Canary/Tokyo Crow, Rotimi Agbabiaka, dir., Playwrights Foundation, 2023
Harlem Canary/Tokyo Crow, Steven Sapp, dir., Montalvo Arts Center, 2023
Tootsie Rolls and Candy Corn, NJ Agwuna, dir., The Civilians, 2023
Harlem Canary/Tokyo Crow, Cat Ramirez, dir., Asian Arts Initiative, 2023
Harlem Canary/Tokyo Crow, Steven Sapp, dir., Montalvo Arts Center, 2022
Harlem Canary/Tokyo Crow, Elizabeth Carter, dir., Montalvo Arts Center, 2021
Br'er Peach, Desdemona Chiang, dir., The Parsnip Ship & AlterTheater, 2021
whisper fish, Sango Tajima, dir., Bay Area Playwrights Festival, 2016
whisper fish, Tamilla Woodard, dir., ArtsEmerson, 2016
Boot-Heel, Marissa Wolf, dir., ArtsEmerson, 2016
Santa & His Slaves, Graham Smith, dir., Playwrights Foundation, 2016
Santa & His Slaves, Deena Selenow, dir., 2015
whisper fish, Oregon Shakespeare Festival, 2015
whisper fish, Bonnie Metzgar, dir., Victory Gardens Theater, 2015
Beauty Secrets, Rem Myers, dir., Cutting Ball Theater, 2015
whisper fish, Molly Aaronson-Gelb, dir., Cutting Ball Theater, 2015
La Lechera, Marissa Wolf, dir., Crowded Fire Theater, 2014
Mount Misery, Rob Melrose, dir., Cutting Ball Theater, 2014
Sam the Ham, Randy Reyes, dir., Theater Mu New Eyes Festival, 2014
The Patron Saint of Monsters, Peter Rothstein, dir., Playwrights’ Center, 2012
Krispy Kritters in the Scarlett Night, Rob Melrose, dir., Cutting Ball Theater, 2011
 
DRAMATURGY
The Box, by Sarah Shourd, The Pulitzer Center, 2019
Fidelidad, by Reynaldo Tejadilla, Conjunto Artístico Korimakao (Pálpite, Cuba), 2017
Superheroes, by Sean San José, Cutting Ball Theater, 2014
Chokehold, by Mordecai Ettinger, Cutting Ball Theater, 2013

WRITING RESIDENCIES
The Ground Floor, Berkeley Repertory Theatre, 2024
Orchard Project Greenhouse Lab, 2023 - 2024
Montalvo Arts Center, 2023
The Civilians R&D Group, 2022 - 2023
Montalo Ars Center, 2022
Montalvo Arts Center, 2021
Arquetopia Foundation, Puebla, Mexico, 2020
AlterLab, AlterTheater, San Rafael, CA, 2016 - 2017
Djerassi Resident Artists Program, 2016
Writer-in-Residence, Idle Spoke Ranch, Healdsburg, CA, 2015 - 2016
Resident Playwright, Playwrights Foundation, SF, CA, 2011 - 2015
Writers Pool, PlayGround, Berkeley, CA, 2013 - 2015
Writer/Director Lab, Just Theater, Berkeley, CA, 2013 - 2014
Core Apprentice, Playwrights Center, Minneapolis, MN, 2011 - 2012
Lucas Artists Residency Program, Montalvo Arts Center, 2009
Blue Mountain Center, Adirondacks, NY, 2009
Writer-in-Residence, Centro Cultural Kusiwasi, Urubamba, Peru, 2005 - 2009
Writer-in-Residence, Grupo Cultural Yuyachkani, Lima, Peru, 2005
New Works Incubator, Asian American Theater Company, 2003 - 2005

GRANTS and FELLOWSHIPS
New York State Council for the Arts/ New York Foundation for the Arts Playwriting Fellowship, 2025
National Performance Network Development Fund Award, 2023
National Endowment for the Arts, 2023
National Performance Network Documentation and Storytelling Award, 2023
Purchase College Faculty Support Award, 2023
JMLC-IDA Individual Professional Development Grant, 2023
JMLC-IDA Individual Professional Development Grant, 2022
National Performance Network Creation Fund Award, 2022
Emily and Eugene Grant Faculty Award, 2022
Rella Lossy Playwriting Award, 2020
Theater Communications Group In the Lab Travel Grant, 2018
National Performance Network Artist Engagement Fund, 2018
Kenneth Rainin Foundation Grant, 2018
National Performance Network Development Fund, 2018
Theater Bay Area CA$H Grant, 2016
San Francisco Foundation Career Investment Grant, 2016
National Performance Network Americas Exchange Grant, 2016
National Performance Network Creation Fund, 2016
Center for Cultural Innovation NextGen Arts Leadership Grant, 2015
San Francisco Arts Commission Individual Artist Commission, 2015
Andrew W. Mellon Playwright Residency Grant, 2013
Fulbright Scholarship in Creative Writing, 2012
Kenneth J. Cmiel Human Rights Award, 2010
Richard Maibaum Scholarship for Playwriting, University of Iowa, 2010
Association of Performing Arts Presenters Travel Grant, 2008
Iowa Arts Fellowship, University of Iowa, 2008 - 2011
Theatre Bay Area CA$H Grant, 2008
Zellerbach Community Arts Grant, 2008

ARTISTIC TRAINING
Playwriting Workshops
Octavio Solís, Playwrights Foundation, 2024
Paula Vogel, TCG Conference, 2015
Gabriel Calderón, Casa de las Américas, 2014
Dael Orlandersmith, Playwrights Foundation, 2013
Jason Grote, Playwrights Foundation, 2013
Sherry Kramer, University of Iowa, 2010
Abi Basch, University of Iowa, 2010
Kathleen Tolan, University of Iowa, 2010
Tanya Barfield, University of Iowa, 2009
Kia Corthron, University of Iowa, 2009
David Adjmi, University of Iowa, 2008
Naomi Wallace, University of Iowa, 2008
Erik Ehn, Playwrights Foundation, 2008
Annie Smart, Playwrights Foundation, 2008
Marcus Gardley, Playwrights Foundation, 2007
Migdalia Cruz, Playwrights Foundation, 2006
Julie Jensen, Playwrights Foundation, 2006
Arthur Kopit, Playwrights Foundation, 2005
Jeannie Barroga, Asian American Theater Company, 2005
Octavio Solís, Playwrights Foundation, 2004
 
NOHSpace, Butoh Workshop, Ryuzo Fukuhara, 2006
Augusto Boal, Theatre of the Oppressed, University of San Francisco, 2005
Grupo Cultural Yuyachkani (Lima, Peru)
- Acting: Teresa Rallí and Ana Correa, 2005
- Maskmaking: Veronica Zela and José Beriche, 2005
- The Actor in the Moment of Performance: Miguel Rubio and Teresa Ralli, 2004
DAH Theatre (Belgrade, Serbia), Playwriting Workshop, Dijana Milosevic, 2004
SF Mime Troupe, Collective Theater Workshop, Dan Chumley and Joan Holden, 2004
Apprenticeship with master puppet maker José Ascona, Oaxaca, Mexico, 2003
   
PUBLICATIONS
"Owls and Deer," Hello, Goodbye, Hello, Montalvo Arts Center, 2024
"Three Seasons Haiku," Hello, Goodbye, Hello, Montalvo Arts Center, 2024
“Writing in the Woods,” HowlRound Theatre Commons, 2017
“The Revisions of Mount Misery,” HowlRound Theatre Commons, 2015
“Between Me and the World” (memoir), Artist Journal, 2008
sociogastronomy, limited-edition handmade artist book (with photographer Victoria Heilweil), 2006
Editor, The School is a Giant T-Rex, Performing Arts Workshop, 2006
Editor, What Goes Up: WritersCorps at the SF Public Library, WritersCorps, 2005
Editor, Memories Like Night Falling: WritersCorps at Newcomer High School, WritersCorps, 2005
Editor, Fish Walking on their Fins, Performing Arts Workshop, 2005
Ode to my mother’s hands: poems, Self-published chapbook, 2002
Oda Corporal: love poems, Self-published chapbook, 2002


FICTION
Verre (novel)
“Beeswax” (short story)
“Gallos” (short story)
“My Siren” (short story)
“Some Things Survived” (short story)
“Suckers” (short story)
 
PLAYS TRANSLATED
Pedro Calderón de la Barca (Spain):
- La Vida es Sueño

Qorpo-Santo (Brazil): 
- As Relações Naturais                             
- Mateus e Mateusa          
- Certa Entidade em Busca de Outra           
- Eu Sou a Vida; Eu Não Sou a Morte
 
LANGUAGES & SKILLS
Spanish (fluent)
Tok Pisin (fluent)
Portuguese (proficient)
Japanese (advanced beginner)
Kung Fu San Soo – Fourth-Degree Black Belt

Some people and places I admire

Casa de las Américas
Conjunto Artístico Korimakao
Cultural Survival
Endangered Language Alliance
Grupo Cultural Yuyachkani
Jen Silverman
Kevin Artigue
Playwrights' Center
Playwrights Foundation
Survival International  
Wôpanâak Language Reclamation Project

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